I lost my copy of The Trial. I got rudely awoken from a coma on a long bus trip in Thailand. It was 4am and time to switch buses. How rude. I left; witless and bookless. I guess it could have been worse. It was a great story, or at least the first half. In perhaps the biggest swing in reading history, I picked up a love story called “The Time Traveler's Wife” at a used bookstore. Selection is generally limited in such places and I tend to find myself picking up anything that I’ve heard of and this title had recently received a glowing recommendation from a friend. I always try to read books that people recommend to me, so it was a better situation than I would normally find myself in.
Book’d but still witless, I powered through this delightful tomb in short order. I found myself hopelessly in love with Claire (the female main of the book - someone or other’s wife) and sympathetic for the time traveler and all of the issues that his affliction causes. The author nicely side stepped the whole time line pollution / what comes before what / space time continuum / collision / infinite number of timelines or 5 timelines… or whatever… that usually dogs time travel stories. She just didn’t talk about it which was actually refreshing. As soon as a story tries to address the proposed “science” or philosophical implications of time travel it either becomes impenetrable or so full of holes that you spend too much time trying to fill them. Anyone recently watched “Back to the Future”? They kind of explain part of the problems of time travel (Marty McFly meeting his mother etc.) which makes you start to be worried about polluting / changing events in the future, but then they do things like Marty (from the future who doesn’t even exist yet) being the impetus for the guitar sound of Chuck Berry. How did Marty know how to play Johnny B Good if Berry never found his “sound” without the help of Marty? There are a bunch of points that regress infinitely or circle back on each in these types of stories. In any event, Back to the Future isn’t a stunning example of theoretical time traveling wisdom. Neither is “The Time Traveler's Wife” I guess, but I didn’t even think about the chronicle ins and outs. I was more than happy to just agree that this was how it was and to wonder along with the characters about what was going on.
Not quite like Stienbeck’s uncanny ability to devote 3 pages to the colour of dirt, but the writing style of Audrey Niffenegger definitely indicates that her topics are very well researched (or well experienced). I didn’t know anything about making paper but there were quite detailed and enjoyable descriptions of the process. She didn’t say “they played a game of pool and a ball was sunk”; she described the play by play in detail. I’ll call it a pleasing compromise between sparse and ad nauseum.
I’ve rewritten the following 10 times. I didn’t know the name of the author until I was done the book, didn’t even look. By the end of it though, I was convinced that the author was a dude. I really don’t think that I am predisposed to assume that about something that I am reading, but maybe I am? I’ve never really thought about it. I hope that there is something in the style and content that made me start to feel that way and that I began this book with a completely neutral opinion about it. I have never read 500 pages without knowing the author, so I don’t have a lot of data on how my brain works. How do I identify with the author of fiction that I read (and what role does their gender play in this?)
Does it matter?
Looks like it is going to be a film. I look forward to it.
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I loved that book, glad you did too.
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